I hope you’ll enjoy the planned monthly installments to the THIS IS WHAT I DO series.
You’ll find a streaming track below this and a link for purchase below that.
GLISTENING EXAMPLES is proud to announce “Soundtracks for Takeshi Murata” (GLEX-1302), the debut LP/CD of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police and more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists including Oneohtrix Point Never, Real Estate, Vybz Kartel, and Peaking Lights.
“Soundtracks for Takeshi Murata” collects Beatty’s compositions for digital video glitch pioneer Takeshi Murata, produced between 2004-2007. Beatty’s collaborative relationship with Murata has spawned some of his strongest work to date, and Glistening Examples is honored to present this music to the public for the the first time outside of screenings, museums, and galleries. Beatty has performed alongside Murata’s work in New York, Chicago, Pittsburgh, and Beijing, where he performed several shows, including at the Ullens Center for Contemporary Art during the 2008 exhibition, “Stray Alchemists.”
The formative elements of the recent Three Legged Race full length “Persuasive Barrier” (Spectrum Spools, 2013) are apparent in the rubbery pulsations of “Escape Spirit Videoslime” and the ghostly buzzing harmonics of “Untitled (Silver)”. Moving between hypnotic minimalism, dense processed atmospheres, and spacious drones, often in the same track, these pieces are the perfect corollary to Murata’s fractured and viscous visuals. While the video and audio are linked in the same fluid time space, the soundtracks are presented now as stand-alone works, powerful compositions drawn from the same underlying chaos apparent in Murata’s ever-shifting psychedelic environments. This is exciting electronic music that invites the listener to imagine their own videoscapes with or without having viewed Murata’s work.
“Soundtracks for Takeshi Murata” is published in an LP edition as well as CD format, with new artwork from Murata, design by Beatty, and digital mastering by Jason Lescalleet at Glistening Labs USA. The LP includes a download code and an 11″x17″ poster. The CD includes a bonus track not found on the LP.
View video of “Untitled (Silver)” on UbuWeb
Buy this album here.
GLISTENING EXAMPLES is proud to present “leave/trace” (GLEX-1301), the vinyl debut of Grisha Shakhnes.
Formerly operating under the name of Mites, Shakhnes has been recording and performing in Tel Avi, Israel since 2008. His work has been issued both privately in limited handmade CD-R editions, and internationally though Alamut Records (Jerusalem), Mystery Sea (Belgium), and Copy For Your Records (NYC). Consider ‘leave/trace’ a graduation ceremony, as Shakhnes steps away from pseudonymity and into the bright lights of his own exceptional music.
“leave/trace” offers a compelling display of musical abstraction, blending field recordings from peculiar and mundane origins into sumptuously detailed and surreally original new forms. Shakhnes is deftly able to capture and juxtapose otherwise overlooked details of commonplace events, placing his work at the fulcrum of contemporary tape music.
Never overly literal, “leave/trace” instead allows the listener to find their own way through its compositions, granting rich reward for those willing to make the journey.
“Fine work, among Shakhnes’ best.”
– Brian Olewnick, Just Outside
“This is unquestionably Grisha’s most convincing statement to date, and one which cements him in the frontline of artists to watch as the year unfolds. A fabulous LP.”
– Graham Lambkin, KYE Records
“leave/trace” is a beautiful LP, published in an edition of 500 copies.
The first 100 copies of this record are pressed in fresh virgin blood vinyl and only available via direct mail order through Glistening Examples.