I hope you’ll enjoy the planed monthly installments to the THIS IS WHAT I DO series.
You’ll find a streaming track below this and a link for purchase below that.
Click here to stream samples and place an order:
C Spencer Yeh’s contribution to the TROPHY TAPE project is an excellent MTV-inspired video for “Beauty Is A Bowtie (HTDW)” from SONGS ABOUT NOTHING on Erstwhile Records.
This video, along with 12 other great clips from 12 more great artists is now available on DVD from Glistening Examples here:
The Beauty of Independent Music – Aaron Dilloway [Oberlin, OH]
Old Theme – Ellen Frances [New York, NY]
Tarnished Copper (Copper Will Never Be Gold) – Annie Feldmeier Adams [Chicago, IL]
The Loop – Justin Meyers [Minneapolis, MN]
Euphoric Sting – Antony Milton [Wellington, New Zealand]
Beauty Is A Bowtie (HTDW) – C Spencer Yeh [New York, NY]
The Power of Pussy – Olivia Block [Chicago, IL]
Escargot – Adel Souto [New York, NY]
In the Morning – Neil Young Cloaca [Turners Falls, MA]
Friday Night in a Catholic Home – Todd Deal [Worcester, MA]
10 Amp Waves – Jubal Brown [Toronto, ON]
I Killed Another Day – Heidi Alasuvanto [Oulu, Finland]
In Through The Out Door & Another Whore – Robert Beatty [Lexington, KY]
The limited edition colored vinyl copies of Robert Beatty’s “Soundtracks for Takeshi Murata” are sold out. Friends and fans were kind enough to submit photos of their copies, since the patterns of each individual record was unique. If you’re curious, you can view examples on the label’s Facebook page.
Standard black vinyl pressings and CD copies are still available here.
Many thanks to everyone for being so supportive of this very special document!
These records look almost as amazing as they sound.
Don’t miss out:
GLISTENING EXAMPLES is proud to announce “Soundtracks for Takeshi Murata” (GLEX-1302), the debut LP/CD of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police and more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists including Oneohtrix Point Never, Real Estate, Vybz Kartel, and Peaking Lights.
“Soundtracks for Takeshi Murata” collects Beatty’s compositions for digital video glitch pioneer Takeshi Murata, produced between 2004-2007. Beatty’s collaborative relationship with Murata has spawned some of his strongest work to date, and Glistening Examples is honored to present this music to the public for the the first time outside of screenings, museums, and galleries. Beatty has performed alongside Murata’s work in New York, Chicago, Pittsburgh, and Beijing, where he performed several shows, including at the Ullens Center for Contemporary Art during the 2008 exhibition, “Stray Alchemists.”
The formative elements of the recent Three Legged Race full length “Persuasive Barrier” (Spectrum Spools, 2013) are apparent in the rubbery pulsations of “Escape Spirit Videoslime” and the ghostly buzzing harmonics of “Untitled (Silver)”. Moving between hypnotic minimalism, dense processed atmospheres, and spacious drones, often in the same track, these pieces are the perfect corollary to Murata’s fractured and viscous visuals. While the video and audio are linked in the same fluid time space, the soundtracks are presented now as stand-alone works, powerful compositions drawn from the same underlying chaos apparent in Murata’s ever-shifting psychedelic environments. This is exciting electronic music that invites the listener to imagine their own videoscapes with or without having viewed Murata’s work.
“Soundtracks for Takeshi Murata” is published in an LP edition as well as CD format, with new artwork from Murata, design by Beatty, and digital mastering by Jason Lescalleet at Glistening Labs USA. The LP includes a download code and an 11″x17″ poster. The CD includes a bonus track not found on the LP.
View video of “Untitled (Silver)” on UbuWeb
Buy this album here.
GLISTENING EXAMPLES is proud to present “leave/trace” (GLEX-1301), the vinyl debut of Grisha Shakhnes.
Formerly operating under the name of Mites, Shakhnes has been recording and performing in Tel Avi, Israel since 2008. His work has been issued both privately in limited handmade CD-R editions, and internationally though Alamut Records (Jerusalem), Mystery Sea (Belgium), and Copy For Your Records (NYC). Consider ‘leave/trace’ a graduation ceremony, as Shakhnes steps away from pseudonymity and into the bright lights of his own exceptional music.
“leave/trace” offers a compelling display of musical abstraction, blending field recordings from peculiar and mundane origins into sumptuously detailed and surreally original new forms. Shakhnes is deftly able to capture and juxtapose otherwise overlooked details of commonplace events, placing his work at the fulcrum of contemporary tape music.
Never overly literal, “leave/trace” instead allows the listener to find their own way through its compositions, granting rich reward for those willing to make the journey.
“Fine work, among Shakhnes’ best.”
– Brian Olewnick, Just Outside
“This is unquestionably Grisha’s most convincing statement to date, and one which cements him in the frontline of artists to watch as the year unfolds. A fabulous LP.”
– Graham Lambkin, KYE Records
“leave/trace” is a beautiful LP, published in an edition of 500 copies.
The first 100 copies of this record are pressed in fresh virgin blood vinyl and only available via direct mail order through Glistening Examples.